Blondie – Atomic/Heart of Glass (The Old Grey Whistle Test, 1979) Accompanying herself on piano and guitar, she performed her own songs, including the brooding Northstar Grassman and John the Gun, and a sensitive, powerful treatment of the traditional Blackwaterside. Sandy Denny – live at BBC in concert (Radio 1, 1972)īacked by a band on all her albums, Denny was also a compelling solo performer, as she proved on this historic set. Pixies – Wave of Mutilation (Peel session, Radio 1, 1989)īlack Francis’s vocals carried like a deceptively warm and tender whisper, in a performance that could even be described as pleasant – if you don’t pay too much attention to the lyrical themes of suicide. The much-bootlegged 12-song set included The Lonesome Death of Hattie Carroll, If You Gotta Go, Go Now, and a classic treatment of Ballad of Hollis Brown. In June 1965, a month before he shocked the folk purists by going electric at Newport, Dylan performed a powerful, relaxed, final acoustic concert to a small audience. Photograph: Donaldson Collection/Getty Images Bob Dylan – live at BBC studios (BBC One, 1965)ĭylan goes electric in Newport, 25 July 1965.
“We are dedicating this session and probably the rest of our career to John Peel,” announced Steve Albini, while one song, The End of Radio, took on a newfound poignancy. This set took place shortly after John Peel’s death, with Rob Da Bank filling the great man’s boots. Shellac – live at Maida Vale (John Peel session, Radio 1, 2004) It would take an exceptionally poor cover to diminish this song’s poignancy, but equally, it takes a great one to cast it as something new. They reimagined her characteristically theatrical take on the trepidation of falling in love, singer Ross Millard plaintive and plausible as an anxious indie boy afraid of expressing his feelings.
But what made the Futureheads’ take on Hounds of Love an instant classic was their palpable commitment to the spirit of Bush’s original. Some Live Lounge covers can be too winking, overly relying on the novelty of hearing a familiar song in a new style. The Futureheads – Hounds of Love (Radio 1 Live Lounge, 2003) Delicate and unfussy, the duo stripped the Radiohead classic back to bones as bare as the ones that adorn Bridgers’ skeleton outfit, adding subtle gravity through Parks’ murmured harmonies. Parks and Bridgers, both at the top of their pandemic-zeitgeist game, created introverted magic with this 2020 union. Arlo Parks and Phoebe Bridgers – Fake Plastic Trees (Radio 1 Piano session, 2020) The Welshmen weren’t obvious bedfellows for TOTP, but nihilism had never sounded so anthemic. The Manics drew more than 25,000 complaints for this fiery performance: frontman James Dean Bradfield appeared in a balaclava displaying his name, which viewers mistook for support of the IRA. Manic Street Preachers – Faster (TOTP, 1994) It may not be not pretty, but it’s oddly sublime. The frailty of his voice – not always nailing the tune or tempo – contrasted with the giddy energy of Metallica, who were clearly relishing liberation from the expectations of their day job. This divisive collaboration was Reed’s final project.
Lou Reed and Metallica – Iced Honey (Later With Jools Holland, 2011) All mimed of course – and perhaps for the best.
#LATERS RIHANNA AND DRAKE LIVE PERFORMER PLUS#
Giving the theory some weight is that they’ve stayed out late together two nights in a row after the show, hitting nightclubs and not leaving until the wee hours.Although both acts were firmly established in indie circles by 89, having Madchester’s finest both performing Top 30 entries on the same episode of TOTP felt like a changing of the guard: the Roses were up first with a truncated Fools Gold, segueing into Mondays plus Kirsty MacColl for Hallelujah. And there’s no denying that performance was FIRE.
#LATERS RIHANNA AND DRAKE LIVE PERFORMER HOW TO#
These two are skilled performers who know how to get a crowd fired up, but the show Drake and Rihanna put on was so believable it’s hard not to think where there’s smoke, there’s fire. They then go in for a hug and a kiss.ĭid y'all see that? #ANTIWorldTour Manchester ? /cpczdQQhMh He also rarely took his eyes off her behind throughout the entire performance, and after they finished the track he told the crowd she was “the most beautiful, talented woman I’ve ever seen in my life” and “I’m getting my heart broken”. Soon after, when Rih was doing her thing and working it hard, he walked up behind her getting so close that the two were grinding on each other, at which point the audience may have been feeling like they should leave them alone for a minute.
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